"I don’t eat for pleasure, I eat for nourishment."
— Jada Pinkett Smith
In my life I love you more.
(Source: bloomalana)
Whistleblowing Wednesday: Children As Young As Six Harvest 25 Percent of U.S. Crops
Knowing the farmer who grows your food has become an important tenet of the modern food movement, but precious little attention is paid to the people who actually pick the crops or “process” the chickens or fillet the fish. U Roberto Romano’s poignant film, The Harvest/La Cosecha (2011), being screened across the country for Farmworker Awareness Week (March 24-29), informs us that nearly 500,000 children as young as six harvest up to 25 percent of all crops in the United States.
What’s illegal in most countries is permitted here. Child migrant labor has been documented in the 48 contiguous states. Seasonal work originates in the southernmost states in late winter where it is warm and migrates north as the weather changes. Every few weeks as families move, children leave school and friends behind. If you’ve had onions (Texas), cucumbers (Ohio or Michigan), peppers (Tennessee), grapes (California), mushrooms (Pennsylvania), beets (Minnesota), or cherries (Washington), you’ve probably eaten food harvested by children.
This isn’t a slavery issue, or an immigration issue per se. What’s remarkable is that most of the migrant child farmworkers are American citizens trying to help their families. This is a poverty issue and it gets to the heart of what we, as consumers, see as the “right price” to pay for food.
Children earn about $1,000 per year for working an average of 30 hours a week, according to the U.S. Department of Labor. When you consider that the average annual pay for a migrant family of four is $12,500-$14,500, it’s apparent why some families feel they have no choice but to bring their children into the fields with them. Half of these kids will not graduate from high school because they’re always moving around, perpetuating the cycle of poverty that caused them to be day laborers in the first place.
(via mollytrout)
Donald Glover talking about the comments he received during his campaign to be the next Spider-Man (x)
“I was talking about it with Dan Eckman, who directed my Bonfire video. Can you imagine that trailer? That would be dope. Like it makes sense… a poor black kid in Queens. Like it just fits.”
(Source: halemcjoel, via whereisemma)
An Open Letter to Jay-Z by 21 Jump Street director Phil Lord son of a Cuban refugee
Dear Mr. Z,
I just heard your new track, “Open Letter,” released today. It’s got everything I love about your music: looping internal rhymes, an infectious beat, and imagery that draws me into a kind of swaggering, defiant fantasy.
Speaking of defiant fantasies, I’ve been following news of your recent trip to the island nation of Cuba. As the son of a Cuban refugee, and cousin and nephew to many Cubans on the island, I cringe when Americans visit Cuba for a fun island vacation. For one thing it’s illegal (which nobody seems to care about), but more importantly, it’s either ignorant of or calloused to the struggles of Cubans on the island. I actually encourage my friends to travel to Cuba, to bear witness to one of the great tragedies of our time, to learn about the real Cuba, to put a human face on the caricature of Americans that the Castros propagate. Exchange and travel between our two nations should be a catalyst for change, as it has been even in my own family. But for me, Cuba is not the place to have a fun, sexy, vacation. Because for Cubans on the island and living elsewhere, it’s not.
So when I heard of your visit, I thought to myself, Jay Z seems like a smart, thoughtful guy. He doesn’t realize what he’s walking into. He probably just thinks Cuba is a chic place to relax with the family. He probably just doesn’t know the things I know.
He likely doesn’t know that the Cuban tourism industry is run by the Cuban military, so when he spends money at an officially sanctioned hotel, or restaurant, he is directly funding the oppressors of the Cuban people.
He doesn’t know that most Cubans have poor access to independent news sources, the internet, books, and food.
He doesn’t know that Cuba has two health systems, one for the well-connected, and one for everyone else.
He doesn’t know that before Castro, the Cuban peso traded one-to-one with the dollar, and that since then, the Castros have raided the nation’s coffers and introduced widespread poverty to a once prosperous nation.
He doesn’t know that my ancestors fought to free Cuba from Spain, and to set up a democracy to ensure that they would always be free.
He doesn’t know that in spite of those dreams, my mother and her family fled for their lives from this regime way back in 1960, as did *two million* other Cubans.
He doesn’t know about the thousands of people executed by firing squads led by sexy t-shirt icon Che Guevara.
He doesn’t know about the dissidents, artists, and librarians that currently rot in Cuba’s prisons, and the thousands more who live in fear.
He doesn’t know about Orlando Zapata Tamayo, an Afro-Cuban dissident who died in a Cuban prison in 2010 after an 80-day hunger strike.
He doesn’t know that a U.S. Citizen, Alan Gross, is currently serving a 15-year sentence in a Cuban prison for providing phones and computers to the members of the Cuban Jewish community. He doesn’t know that all attempts by our government and private citizens to secure his release have been scoffed at.
He has likely forgotten about all those who have died in the Florida Straits, trying to float on makeshift boats to freedom.
He doesn’t know that contrary to popular understanding, Amnesty International reports that repression of dissidents in Cuba is actually on the rise.
He doesn’t know that when an international music luminary shows up in Cuba, his presence is unwittingly used as propaganda to support the regime.
He doesn’t know that artists in Cuba, with whom he was supposedly having a cultural exchange, serve under the close supervision of the government, and don’t enjoy the freedom to defiantly name check the President, call out a few senators, threaten to buy a kilo of cocaine just to spite the government, or suggest that they will follow up their purchase with a shooting spree, as rapped about in “Open Letter.”
He doesn’t know that just because our country applies a different, some say hypocritical policy to China, it doesn’t make either regime any less oppressive, or any more acceptable.
He doesn’t know that when people say “I’ve got to visit Cuba before it gets ruined,” I think to myself, “It’s already ruined. And by the way, ruined by what? freedom of speech? walls that don’t crumble? shoes? Do you mean ruin Cuba? Or ruin your fashionable vacation in Cuba?”
He doesn’t know that when I really start to think about all this, I get so mad I can’t sleep.
He doesn’t know that when he’s wearing that hat, smoking that coveted contraband cigar, he looks like a dupe.
He doesn’t know how much good he could be doing in Cuba, for Cubans, instead. Bearing witness, supporting artistic freedom, listening.
He doesn’t realize that as someone privileged to be born in a free society, one in which someone could come from nothing and become a celebrated music, sports, fashion, business and political mogul, it’s not only his good luck to be able to bring to light the needs of the less fortunate, it’s his obligation.
But then, Jay-Z, I heard your new song, and paid attention to the lyrics.
I heard you bragging about your “White House clearance.”
I heard you talk about how much you enjoy Cuban cigars.
And I heard you tell the President I voted for, “You don’t need this shit anyway, chill with me on the beach.”
You reject the responsibility to speak up for an oppressed people, even while you take up your own cause with gusto.
Then I figured it out.
You actually know all of this stuff, you just don’t care.
That’s not just being a bad citizen, or a bad neighbor.
It’s being a bad artist.
It’s Nihilism with a beat.
-Phil Lord
Game, set, match!
(Source: vasmiproductions)
(via nototouchthearth)
